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Nadeem–Shravan was one of the most successful Bollywood music directors of the 1990s until the early 2000s.[3] They displayed a strong influence of Hindustani (classical / semi-classical) music in their compositions, and were the only composers during the 1990s and 2000s who relied heavily on three particular instruments: the bansuri, the sitar and the shehnai in almost all of their songs. By using these instruments in a modern way without disconnecting them from their original value, their contribution is unique compared to some rising music directors evolving a new music style beginning in the mid-1990
Nadeem–Shravan was one of the most successful Bollywood music directors of the 1990s until the early 2000s.[3] They displayed a strong influence of Hindustani (classical / semi-classical) music in their compositions, and were the only composers during the 1990s and 2000s who relied heavily on three particular instruments: the bansuri, the sitar and the shehnai in almost all of their songs. By using these instruments in a modern way without disconnecting them from their original value, their contribution is unique compared to some rising music directors evolving a new music style beginning in the mid-1990
